Blog posts about the Rabbi Aviva Cohen Mysteries and their author Rabbi Ilene Schneider

BIG FAVOR

As some of you may be aware (I’ve complained about it enough), my publisher is having problems getting Amazon to list the 2nd edition of Chanukah Guilt correctly. If you search on my name or on the title, you will be linked to the correct page for Kindle and for the large print versions, but the only page for the trade paperback is the original, which is out of print but being sold (possible illegally) as used by Walker Books, Australia. The only way to link to the correct trade paperback is to search specifically for CHANUKAH GUILT SECOND EDITION.

Amazon sent an email with a convoluted explanation of why the 2nd version doesn’t show up, having to do (I think – I have a doctorate and had trouble understanding the reasoning) with sales and rank. Of course, there are no sales or rank, because people can’t find the book.

If, however, enough people look for the 2nd edition, it might possibly move into the proper spot in the Amazon search engine.

Here’s my favor. Please go to the page for the second edition (http://tinyurl.com/lsltbge). You don’t need to purchase the book (although it would be nice) or leave a review (although it would be nice). Just stay on the page for a few minutes.

It might not work, but it can’t hurt. Of course, with Amazon, who knows?

Thank you.

At the Maple Shade Library, 200 Stiles Avenue, on Thursday, April 24, 6-7:30 PM, join New Jersey Authors Network members Kristin Battestella, Jordanna East, Tina Gabrielle, Jon Gibbs, Brian Patrick McKinley, and Ilene Schneider for a lively evening of fun, as the authors talk about their books. Copies of each author’s books will be available. This is a family event, so bring your kids, and get ready for an entertaining evening!

Actually, the most stupid. The most daring is when Gary and I visited with Refusniks in Moscow and Leningrad during Chanukah 1980. But you can read about the most stupid – plus the answers to 11 other questions – on
Holli Castillo’s blog: http://www.gumbojustice.blogspot.com/2014/04/ilene-schneider-twelve-question-tuesday.html?m=1

SPECIAL PASSOVER SALE

Need a break from cleaning your kitchen for Pesach? (Or from filling Easter baskets?) You can read about someone else’s pre-Pesach travails instead. UNLEAVENED DEAD is on sale from now until 11:59 PM on April 22 for only $.99. You can purchase and download it from http://tinyurl.com/l443azw.

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Since I have nothing else to do in the week leading up to the first Seder except worry and eat weird combinations (edamame and knishes, anyone?), I accepted the invitation of Sally Carpenter, the author of the Sandy Fairfax Teen Idol Mysteries (The Baffled Beatlemaniac Caper and The Sinister Sitcom Caper) to answer four questions about my writing process. After you read my answers, you can check out hers at http://sandyfairfaxauthor.com. And then in a few days, check out the answers given by Oak Tree Press authors Janet (writing as J. L.) Greger, author of the medical mysteries Coming Flu, Murder: A New Way to Lose Weight, and Ignore the Pain at http://jlgregerblog.blogspot.com/; and Denise Weeks, author of Nice Work, at http://deniseweeks.blogspot.com.

Questions (and answers!): 1. What am I working on?

It feels some days as though I’m working on everything except the third Rabbi Aviva Cohen Mystery, Yom Killer. While reading some novels by Oak Tree Press authors (have to scope out the competition … I mean, support my colleagues), I realized how many, including mine, contain recipes. “An OTP cookbook!” I thought in a moment of clarity or madness, and then compounded matters by suggesting it to the others (and the publisher). They all enthusiastically endorsed the idea, especially after I volunteered to compile and edit it. I figured, “How long can it take? A week? Two?” Five months later and I’m still gathering recipes and cajoling submissions.

And did I mention promo work, guest blogs, and conferences?

The more I do and the more I try to get ahead so I can concentrate on Yom Killer, the further behind I am. Somehow, retirement has not translated into more free time. Maybe I should stop lolling in bed reading until noon. (But it’s research!) Maybe I should take a break and put the brakes on guest blogging. Hmmm … wonder if Senior Sleuths would be interested in a blog on that topic?

2. How does my work differ from others of the same genre?

So far as I know, my books are the first and, as of now, only mysteries to feature a woman rabbi as the protagonist. But, except for a few non-gratuitous uses of Anglo-Saxon four-letter words, it does fit the general definition of a cozy mystery: amateur sleuth; no overt sex; no graphic violence or blood or gore; humor.

But the books are not just for Jews. They have cross-over appeal as well, as evidenced by the Public Safety Writers Association’s giving the first place award to Unleavened Dead at last summer’s conference and by the placement of Chanukah Guilt on many “best mysteries of 2007” lists.

3. Why do I write what I do?

As they advise, “Write what you know.” And the corollary: “Write what you enjoy reading.”  (Who are “they” anyway? And who appointed them arbiters?)

But a story about why I write: A woman I know (non-Jewish, by the way) loved Chanukah Guilt and was looking forward to Unleavened Dead. When the book came out, I made sure she received a copy even before the launch date. She was still in mourning for her husband of many years, and I hoped she’d welcome the diversion. A few weeks later, she came to the launch party, arrived early, and sat in the front. I asked her if she had read the book yet. “Read it!” she said. “I went home that night, got into bed, started to read, and went to sleep with a smile on my face. I did the same for the next two nights.”

And that’s why I write. Certainly not for the (still non-existent) fame and fortune. It’s to know that I’ve brought a smile to someone’s face.

4. How does your writing process work?

It doesn’t. (See answer to Question #1.)

I am a pantser, meaning I write by the seat of my pants. I have a vague idea of the outline of my plots, but no idea how those plots will develop. I rely on my characters to tell me what will happen. And they always come through, although often not as I expect. For example, I added Aviva’s first ex-husband as an interim police chief as a way for her to have entrée to the police. I didn’t realize their relationship would become an ongoing “will-they-won’t-they” leitmotif. In fact, I hadn’t realized it had, until my friend (the one I talk about in Question #3) told me how much she loved him and couldn’t wait to see what would happen next between him and Aviva.

Being a pantser makes the writing process more fun, as I’m never quite sure what will come next. I find writing from an outline to be a chore. But there’s always the problem of the characters’ deciding they’re going AWOL and leaving me with a blank computer screen.

I also have a lack of self-discipline. If I don’t have a specific deadline, I procrastinate. The guest blogs I’ve finished are ones I was asked to submit by a definite date. The open-ended ones are still in my “guest blogging” folder in my inbox. I’ll get to them. Soon. I promise. Maybe.

 

A NICE MENTION …

 … on DorothyL from Carolyn J. Rose, whom I’ve recently discovered and recommend to anyone who enjoys humorous cozies:

 
Date:    Wed, 2 Apr 2014 14:06:59 -0700
From:    “Carolyn J. Rose, Author” <cjrauthor@GMAIL.COM>
Subject: My bookmark . . .

. . . recently departed from Unleavened Dead, an enjoyable “quiet” or
“gentle” mystery – meaning very little, if any, gore or gunfire.

APRIL FOOL

For those of you not on FaceBook (or who didn’t see my status update there), I just added the following post:
 
In honor of April Fools’ Day (a day early), a quote from UNLEAVENED DEAD:
“I particularly liked the story about the history professor who, in nineteen eighty-three, publicized his theory that April Fools’ Day originated when Constantine allowed his court jester to rule the empire for the day. The punch line is that the professor’s story was itself a hoax, a perfect example of an April Fools’ Day joke. And the Jewish connection (and probably a tipoff that the story was a fabrication): the jester’s name was Kugel.”

You can read all about the topic on Lorna Collins’ blog: http://lornacollins-author.blogspot.com/

AND ANOTHER GUEST BLOG

Fellow author Jennifer Eaton was about to reach her blog #666 (or, as she puts it, 665+1). Being superstitious (or cautious), she asked me, as a skeptic and cynic, to write the blog for her. You can read “Post #662, 663, 664, 665… Oh No! What blog post is this?  Nope Not gonna do it. Quick! Call in the Rabbi!” here: http://wp.me/p1HIMV-1Q7

WHY I GO TO CONFERENCES

I really did plan to cut back on the number of conferences I would go to this year. And I did. I’m currently (note the qualifier) registered for only five. Last year, I went to six.

There are many reasons to attend writers’ conferences. Selling books isn’t necessarily one of them. There is nothing more depressing (okay, I’m exaggerating; but it is discouraging) to sit at a signing table after a panel and see a long line of fans waiting to have their books autographed – by the author sitting next to me. In the meantime, I’m trying to look perky, approachable, and friendly.

But it’s not about selling books. It’s about networking, with other writers who will help promote your books on their blogs and other postings, and with fans, who will keep you motivated by asking when the next book will be released. (My stock answer: “I’d love to know, too. I guess it will have to wait until I finish writing it.”) And it’s about name recognition. As Jon Gibbs, author of the YA novel Fur-Face and founder of the NJ Authors Network (http://www.njauthorsnetwork.com), advises I’m paraphrasing, “What is important is going from ‘I’ve never heard of that person,’ to ‘Oh, I think I’ve heard that author’s name,’ to ‘I saw that author speak on a panel; I think I’ll buy the book.”‘ I remind myself of his words whenever I’m sitting alone waiting for someone to ask me to sign a book. (I’m thinking of signing them “J. K. Rawling.”)

It’s also about learning. No matter how many conferences I attend, I always discover something new about the craft of writing and all it entails. (Including, the best way to kill someone and hide the body.)

Most importantly, it’s about meeting in person authors I admire and finding out they are approachable and friendly (although not necessarily perky, after being bombarded by questions from all the other lesser-known authors in attendance). And it’s about meeting in person virtual friends: other writers (and some fans) with whom I trade Facebook cute kitten pictures, guest blogs, emails, movie recommendations, tips on promotion and time management and sources of inspiration. There’s nothing like meeting “strangers” and already knowing all about their lives and works. Instant camaraderie. Just add a conference.

If you see me at any of the following conferences, be sure to come over and introduce yourself. I promise to be perky, approachable, and friendly.

LEFT COAST CRIME, Monterey, CA, March 20-23

MALICE DOMESTIC, Bethesda, MD, May 2-4

PUBLIC SAFETY WRITERS ASSOCIATION, Las Vegas, NV, July 10-13

DEADLY INK, New Brunswick, NJ, Aug. 1-3

BOUCHERCON, Long Beach, CA, Nov. 12-16