Blog posts about the Rabbi Aviva Cohen Mysteries and their author Rabbi Ilene Schneider

Archive for the ‘WRITING’ Category

BIRD WATCHING AND MYSTERIES: BIRDS OF A FEATHER

Today, a friend – an actual one, not just a virtual one – posted a picture on Facebook of some ducks in a pond near her home in CA. The pictures weren’t too clear, as often happens when taking photos of distant objects with a cell phone. (And I have the blurry Facebook posts I’ve added to prove it.) I tried to identify the species, thinking at first they were mallards. But their heads weren’t green, but were white with a black stripe from crown to nape. I spent all too much time checking images and descriptions of various ducks, teals, and other water birds, and finally posted, “I’m stumped. The pix aren’t clear enough for me to ID them. They’re not mallards – no solid dark or green head on the one on the left – but the rufous breast indicates it may be. I was thinking it could be a hybrid mallard X black duck or mottled duck, but neither species is in CA.”

To which another friend replied, “Shucks, Ilene – ‘duck’ will do!”

To which I replied, “Not for a birder!”

After which I realized (and posted) the observation that I enjoy bird watching and both writing and reading mystery books for the same reason: to find a solution.

When reading mysteries, I try to outguess the author (and, sometimes, the protagonist) by finding out whodunit before the end of the book. If the author has played fair and seeded enough hints throughout the book, I’ll sometimes succeed. But even if I’m surprised at the end, I’ll have the fun of the “ah hah!” moment when I realize what I had overlooked. On the other hand, if there are facts the author has withheld, then not only won’t I succeed, but I’ll be frustrated and annoyed at the end of the book.

When writing mysteries, I have two problems: 1. Confounding the reader without cheating them, while not being so simplistic that there’s no real suspense. 2. Constructing a complex mystery without writing myself into a corner I can’t write myself out of. It happens. Often. Which is why the delete button was invented.

In birding, there’s also the experience of solving a puzzle. (I’m referring now to identifying a bird, rather than recognizing it without any conscious thought.) Both birding and reading and/or writing mysteries involve the same kind of attention to minutiae, plus the unraveling and organizing of details that seem inconsequential at first: when and where and circumstances and shape and environment and the process of elimination and, ultimately, logic.

And in both cases, there’s an enormous sense of accomplishment at having arrived at the answer.

As for the mystery ducks, I used the same set of steps mentioned above, “when and where and circumstances and shape and environment and the process of elimination and, ultimately, logic,” to arrive at the solution that they are immature red-necked phalaropes.

Unless they’re not. In which case, they’re Miss Scarlet in the dining room with a rope.

AND NEXT …. BOOKSNJ 2015

Small but interested audience last night at the Moorestown Library. But my next appearance promises to be a crowded one – if the weather cooperates better than it did last night.

I’ll be exhibiting (and, I hope, selling) my books at BooksNJ 2015, Sunday, June 14, 1:00-5:00 PM, on the grounds of the Paramus Public Library.

And speaking of panels, I’ve been asked to be on one there (time TBA):
Killing in New Jersey:  Murder in the Garden State
 
Michael Stephen Daigle
Ilene Schneider
Dave White
Maureen Wlodarczyk
Panel Leader: Lori-Ann Quinn

The BooksNJ website (http://www.booksnj.org/) promises:

UP NEXT

MAY 21, 7:00 PM: MOORESTOWN LIBRARY, 100 West 2nd Street, Moorestown, NJ: Panel with NJ Authors Network MOORESTOWN

JUNE 14, 1:00-5:00PM: BOOKSNJ, Paramus Public Library, 116 East Century Road, Paramus, NJ

JULY 15-20: LAS VEGAS, Orleans Hotel and Casino, 4500 W. Tropicana Ave.

JULY 16-19: PUBLIC SAFETY WRITERS ASSOCIATION CONFERENCE (http://policewriter.com/wordpress/conference/)

AUGUST 7-9: DEADLY INK, NEW BRUNSWICK, NJ, Fan Guest of Honor (http://www.deadlyink2015.org/)

 

 

THE JOKE’S ON ME

I don’t like practical jokes, even on April Fools Day. I never really enjoyed the original “Candid Camera,” and have never seen “Punk’d.” I squirm when I see people humiliated in public. Or in private. So it was completely unintentional, and rather ironic, when I became the perpetrator of such a hoax.

It began on March 31, when fellow Oak Tree Press author Sharon Moore emailed all of the OTP authors to check the blog on April 1 for an important announcement. When I clicked on the site the following day, there was a “press release” from Sharon that OTP publisher Billie Johnson had signed a deal with Simon and Schuster. “Wow,” I thought naively, “I wonder if S&S is going to distribute our books under a new imprint.” Then I read further and realized it was a doozy of an April Fools Day joke. Billie, Sharon wrote, was purchasing S&S! After I stopped chuckling, I sent an email announcing that I had big news, too: my books had been optioned by Hollywood, Broadway, and TV.

I thought my joke was so good (and absurd – I love absurdist humor) that I posted a version of the email onto my FaceBook page. I wrote:

“I was sworn to secrecy until April 1, but I can now announce my Rabbi Aviva Cohen books have been optioned as a movie by Spielberg, as a series by HBO, and as a musical by Sondheim. Bette Midler will star in all 3 productions. And Mel Brooks is teaming up with Gene Wilder and Carl Reiner to adapt Talk Dirty Yiddish as a PBS special.”

And that’s when the joke was on me.

Many people got it. I got a lot of comments along the lines of “Yeah, you wish.” But I got others with what seemed to be sincere congratulations

The April 1 “dateline” hadn’t tipped everyone off. So I added a link to Sharon’s blog. I still got awed responses. So I suggested people check the date of the posting. Still too subtle. So I posted it was a joke. Some friends responded to the original post without checking the comments. Two days later, after 135 likes (some for the cleverness of the joke) and 87 comments (many from people who understood it was a hoax), I posted a new status explaining it was a joke.

My favorite response was from an author I consider a friend (I hope she still feels the same about me) who wrote, “You mean I just wasted hours being green with envy? And now my husband is laughing at me.” But I couldn’t tell if she were serious, or if she had realized it was a joke and was going along with it.

And that’s really the crux of the matter. As I wrote in my mea culpa, the joke must have been a success if people believed it. But, I continued, it also “demonstrates the limits of the written word for communication, as people can’t hear tone of voice and inflections or observe body language.”

My idea is not original. Much has been written about how hard it is to know what someone intends when reading a post or a text. A whole industry – that of emoticons – is devoted to “solving” the problem. But is that big grin meant to be ironic? Is someone hiding behind the winking face to disguise an insult? Even my favorite comic strip, “Pearls before Swine,” devoted a series to using emoticons to excuse nasty comments. (“If you’re hurt by what I said, it’s your problem. I added a wink.”)

How can we really be communicating when comments are taken out of context and there are no auditory or visual cues to help understand what is meant?

Do I have answers? No. Just more questions. And puzzlement.

But I do appreciate  my husband’s perspective on the matter. He told me I should be flattered that people thought the news could be possible. It meant they liked my books. Of course, it could also mean they have a low opinion of popular culture. I prefer to believe that they do think my books are that good. So if anyone has contact with Spielberg or Sondheim or HBO or Bette Midler or Mel Brooks or Carl Reiner or Gene Wilder, please let them know I’m willing to accept offers. But, please, no prank contacts from them. I, too, can be very gullible.

WHERE TO FIND ME, MARCH-AUGUST, 2015

My calendar for March through August is filling up quickly. In addition to the events and conferences I’ll be attending (listed below), I have my 45th reunion from Simmons College in Boston the last weekend in May. Plus, of course, in no particular order, theater tickets, routine doctors’ appointments, visits to my parents in Florida, chasing rare birds, watching all birds, writing, movies, gardening, keeping up with emails and Facebook, guest blogs, breakfast and lunch with other women writers, volunteer shifts and meetings,  Pesach and Shavuot, a few local tentative events I’ll add when they’re no longer tentative.

If you’ll be in any of the cities I will be in, let me know and maybe we can meet up. Or invite me to speak at your organization, book club, synagogue – there are still a few blank squares on the calendar.

MARCH 8, 11:00 AM-4:00 PM: LINES ON THE PINES, Kerrie Brooke Caterers, Rte. 30, Hammonton, NJ – exhibits and sales on all things connected to the Pine Barrens. (http://www.linesonthepines.org/linesonthepines.html)

MARCH 10-17:  PORTLAND, OREGON, Double Tree Hotel, 1000 NE Multnomah Street

MARCH 12-15 LEFT COAST CRIME (CRIMELANDIA) (http://www.leftcoastcrime.org/2015/)

MARCH 13, 10:15 AM-11:00 AM: PANEL on How Did That Body Get There?: The Amateur Sleuth;” book signing following the panel discussion.

APRIL 1, 1:20 PM-2:40 PM: TEMPLE UNIVERSITY LIFE LONG LEARNING SOCIETY, The B. Batsheva Friedman Lecture Series, 425 Commerce Drive, Fort Washington, PA; presentation on “Yiddish: A Fun Look at the Common Language of European Jews.” (http://fortwashington.temple.edu/noncredit-programs/lifelong-learning-society)

APRIL 27, 6:30 PM: MARLTON LIONS CLUB, Corrollo’s Restaurant, Rte. 73, Marlton, NJ; talk on mystery writing

APRIL 30-MAY 3: MALICE DOMESTIC, BETHESDA, MD, Hyatt Regency, 7400 Wisconsin Ave. (http://www.malicedomestic.org/aboutmalice.html)

JULY 15-20: LAS VEGAS, Orleans Hotel and Casino, 4500 W. Tropicana Ave.

JULY 16-19: PUBLIC SAFETY WRITERS ASSOCIATION CONFERENCE (http://policewriter.com/wordpress/conference/)

AUGUST 7-9: DEADLY INK, NEW BRUNSWICK, NJ, Fan Guest of Honor (http://www.deadlyink2015.org/)

 

LEFT COAST CRIME PANEL ASSIGNMENT

Friday the 13th (that’s March 13) will be a lucky day for me. At 10:15 AM, I will be on a panel at Crimelandia, the 2015 Left Coast Crime conference in Portland, OR (less snow than Portland, ME). It’s called: How Did That Body Get There?: The Amateur Sleuth.

SOUTH JERSEY MAGAZINE

A nice mention of me in the Feb. issue of South Jersey Magazine, in the “Southern Exposure – Names to Know” section, under the headline “Local people making a difference in in South Jersey and beyond.”

INTERVIEW ON PBS BLOG

A WRITER IN HER NATURAL HABITAT - STARBUCKS.

A WRITER IN HER NATURAL HABITAT – STARBUCKS.

Humble brag: I’m honored and pleased to be featured today on the Prime Time section of News Works, the blog for WHYY, Philadelphia’s PBS station. My thanks to writer Stacia Friedman for doing such a good job distilling the essence of my ramblings. (And for introducing me to such a good veggie Chinese restaurant.) And to photographer Emma Lee for spending so much time trying to figure out how to make staring at a laptop monitor look dynamic.

http://www.newsworks.org/index.php/speak-easy/item/77050-retirement-is-murder-for-this-nj-rabbi?l=me

HUMOR IS SUBJECTIVE

Check out my new guest blog, hosted by Lesley Diehl, “author of cozy mysteries featuring sassy, country gals who enjoy snooping,” at http://www.lesleyadiehl.com/blog. Lesley asked, “What’s so funny about murder?” My answer: “Humor is subjective.”

J. L. GREGER: AVOID TEN “BAD” WORDS

Today’s guest blogger is fellow Oak Tree Press author Janet Greger, who writes as J. L. Greger. Although she is no longer a professor in biology at the University of Wisconsin, Janet likes to include tidbits of science in her medical thrillers/mysteries, Coming Flu, Murder: A New Way to Lose Weight, Ignore the Pain, and Malignancy.

Cover of Malignancy

At the beginning Malignancy, men disguised as police officers shoot at Sara Almquist twice in one day. The real police suspect Jim Mazzone, a drug czar who has tangled with Sara before, will order more hits on Sara. Thus when colleagues in the State Department invite Sara to arrange scientific exchanges between the U.S. and Cuba, she jumps at the chance to get out of town and to see the mysterious Xave Zack, who rescued her in Bolivia. Maybe, she should question their motives.

Malignancy is available from Amazon: http://amzn.com/1610091779 and from Oak Tree Press: pressdept@oaktreebooks.com.

Janet and Bug

Janet and Bug

Janet’s two great passions are Bug and travel. Bug is her Japanese Chin and the inspiration for the Bug in her novels. She’s included her travels to Bolivia and Cuba in Ignore the Pain and Malignancy. When she’s not traveling, Bug and she live in the American Southwest.

You can visit her website at www.jlgreger.com.

On Janet’s previous visit to my blog, April 17, 2013, her post was titled “Eat! Eat! Die! Die!” and discussed her then newly published book Murder: A New Way to Lose Weight, not a new method way to slim down.  On this, her return visit, she is discussing the process she uses to avoid “bad” words in her latest book to feature the sisters, Malignancy. And once again, her title “Avoid Ten ‘Bad’ Words” is a bit misleading.

I admit I use all ten of these words. But they’re not what you’re thinking. For the words you’re probably guessing, you’d have to check out Talk Dirty Yiddish. For Janet’s list of taboo words, read just about any novel.

 Avoid Ten “Bad” Words

Get your mind out of the gutter! I’m not talking about curse words. I mean the words many of us use too much. These words add blandness and not clarity to our writing.

My thriller Malignancy was published in October. That means I’ve spent the summer and early fall editing the adventures of my heroine epidemiologist Sara Almquist as she tries to escape the clutches of a drug lord and accepts a precarious assignment arranging scientific exchanges in Cuba. I guess all Sara’s risky behaviors put me in the mood to be foolish enough to “give” advice on editing.

The “bad” words are: that, just, very, really, still, some, perhaps, maybe, which, and since. What words do you want to add to the list?

When I finish the first draft of a novel, I like to tidy the draft up a bit before I edit the text for gaps in logic, bungled time sequences, and unnecessary characters.

I do a “find and replace mission” that includes the following steps.

  1. Eliminate my “bad” words. I think the “Find” option in the Window’s Edit list is my best friend during this process.
  2. Convert sentences from a passive into an active voice.
  3. Replace weak verbs with action verbs.
  4. Change run on sentences spliced with a comma into two sentences or one sentence spliced appropriately.
  5. Find “-ing” words and evaluate their usage.
  6. Look for common misspellings missed by Spell Check, such as form for from.

This process is a humbling experience and keeps me from rhapsodizing about my “beautiful prose.” Then I look for gaps in logic.

I start with the easiest task first. I reduce the number of named characters. Any name, mentioned less than ten times in a manuscript, I delete completely or at least eliminate the character’s name. Now I’m a bit contrary on this point. Some authors reduce the number of named characters in their books so much, I know who the villain is after the first thirty pages because he or she is the only extraneous named character. In other words, I like a few “red herrings” in my books.

I check time sequences. I can’t be the only author who discovers Character A knows something before it occurs. At this point, I often delay or reduce clues to sharpen the suspense in my thrillers.

I repeat the find and replace mission (mentioned above) because gremlins creep in and reinsert problems.

As I do second, third, and fourth edits of the novel, I look at manuscript in different ways. My dog Bug thinks I’m being strange when I read dialog out loud, but it helps me smooth out conversations.

After I think the manuscript looks pretty good, I print it out. I always find hundreds of points that I didn’t notice on the computer screen.

Next I send the manuscript to a professional editor. Then I pray that together we’ll catch all the errors, but know I’ll probably catch more errors when I read the galley for my novel. Somehow errors not obvious in my typed manuscript glare at me from the printed galley.

Now it’s your turn. What do you look for when editing your work? I hope you’ll read Malignancy, and find I did a good job of editing it.